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Box Opened - Atomos Ninja Inferno HDMI 7.1" AtomHDR 1500nit Field Monitor
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The Ninja Inferno is the secret ingredient to unlock the professional capability of 4K 60p cameras like the Panasonic GH5. Bypass the internal recording limitations and take full advantage of the sensor by recording to the camera's maximum color accuracy, color resolution and dynamic range with 4:2:2 10-bit V-Log-L recorded as full I-frame's to high bitrate Apple ProRes or Avid DNxHR. The 10-bit calibrated HDR panel takes the guesswork out of exposing for V-Log-L and is backed up by a suite of professional scopes that can be used even in direct sunlight thanks to the 1500nit panel brightness.

Professional Connectivity
The rugged case with built-in armor houses an arsenal of professional connectivity including full size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback or play-out to a view finder or other monitors, a hot swappable dual battery system for continuous power backed up with DC mains connectivity, auto HDMI start/stop recording trigger from selected Canon, Sony, Panasonic and Nikon cameras and even conversion of interlace video from your camera to progressive with built-in 3:2 and 2:2 pulldown.

High resolution, High bit rate recording
Recording 4K 60p within the camera might seem enough but recording with the wrong codec restricts flexibility in post and even risks having your footage technically rejected. Ninja Inferno records direct from the sensor as full individual frames just like film to 4K 60p Apple Pro-Res or Avid DNxHR with 10-bit color information and precise yet efficient 4:2:2 color encoding.

High Bright for Outdoor shooting
The 7" 1920 x 1200 monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 1500nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam and director’s monitors, delivering a crisp 4K image without the bulk and viewing angle restrictions of a sun hood.

Pipeline to your timeline
Up your game in the field, recording to high resolution ready-to-edit ProRes or DNxHR & confidently monitor or review on the 7"" calibrated 1500nit 10-bit HDR screen using the suite of scopes.

Finish the shoot and forge ahead in the editing suite - just drop your files directly onto the timeline, use XML tagging from the field and even take a PQ / HLG signal from your Mac or PC to use the Ninja Inferno as a HDR grading reference.

Choose the SSD to suit your workflow
The Master Caddy system is our secret weapon for recording media flexibility. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times, G-Technology have a custom Atomos caddy that integrates directly into their EV series of Raid and desktop solutions and the Angelbird 4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy for high frame rate 4k60p ecording.

  • 4k60p 10 bit:  Achieve the most from your GH5 without the need to wait for any firmware update so you can get the most out of your camera from day 1                                         
  • Increased Video Quality:  Bypass the internal camera compression to achieve increased colour accuracy and Professional Hollywood Codecs.                                        
  • 1500 Nits Daylight viewable:  See you images clearly in any situation, even without a Sun hood.  The Class leading Colour accurate monitor with over six times the average viewing area of a DSLR.                                           
  • Hollywood Quality:  Visually lossless compression in a format that is designed to be edited                                  
  • Video Tools:  Visualise the dynamic range, protect high / low lights with the LUMA waveform and Vector scope for monitoring colour hue                                               
  • No record time limit:  Recording externally to the camera puts an end to the traditional 30min recording barrier            
  • Focus Assist:  Focus and Exposure assist tools with 1:1 and 2:1 Zoom for 4K                                     
  • 4k to HD Down-convert:  Record you clips in 4k and play then out in HD for use on existing equipment such as TVs, Monitors and Projectors                                          
  • 7” SuperATOM IPS Monitor:  Class leading Colour accurate monitor with over six times the average viewing area of a DSLR.   
  • Apply & Preview LUT:  Preview and apply 3D LUTs for more creative shooting and simple grades or Film Stock looks.

Without batteries & media 709g
With batteries & media 1153g
Dimensions (W x H x D mm) 214 x 127 x 45mm,
  8.4 x 5 x 1.8
Construction High quality lightweight ABS Polycarbonate for durability & portability
  Built-in armour protection
Operating power 10 - 24W
Compatible batteries NP series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V) 5200mAh - up to 1.5hrs (monitor & record 4K)
  7800mAh - up to 2.2hrs (monitor & record 4K)
DC In 1 x DC in (6.2 - 16.8V)
Continuous power * Patent pending Primary-secondary battery system
  Change batteries without losing power
  Loop batteries continuously
Touch Screen  
Size 7.1
Resolution 1920 x 1200
Brightness 1500NITS / cdm2
PPI 325
Aspect ratio 16:9 native
Colour gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube file format)
Frame Guides 4:3, 16:9, 2.40,2.35,1.9, 1.85, Cross hair, action/title safe areas
Anamorphic De-Squeeze 2x 4:3, 2x, 1.5x and 1.33x
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Calibration Calibration in factory InField Calibration with Optional Calibrator
  Free Calibration Software download provided
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Fuji F Log,
  Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
  Canon Cinema / BT2020 / DCI P3 / DCI P3+
  Panasonic V Gamut
  Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10%)
HDR input (PQ/HLG) Yes / Yes
HDR output (PQ/HLG) Yes / Yes
Video Input  
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Video output (play out)  
HDMI 1 x HDMI (2.0a)
Signal Uncompressed true 10-bit or 8-bit to 10 bit 422 sampling (camera dependent)
Supported loop out formats  
HDMI to HDMI 720p 50/60, 1080i 50/60,
  1080p 24/25/30/50/60/120*, 4KUHD 24/25/30/50/60, 4KDCI 24/25/30/50/60
Supported formats (Record & Playback)  
4K DCI 4KDCI 24/25/30/50/60
4K UHD 4KUHD 24/25/30/50/60
HD - high frame rate 1080p120, 1080p60/50
HD 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
4K UHD downscale for HD monitoring Yes - loop-out & playback
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Realtime hardware encoding  
4K-DCI 4096x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
4K-UHD 3840x2160 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
1920x1080 8/10-bit 4:2:2 to Apple ProRes: HQ, 422, LT
  DNxHD: 220x, 220, 145, 36
Onboard processing  
Pulldown removal 1080pSF 24/25/30pSF > 24/25/30p (2:2 pulldown) 1080i 60 > 24p (3:2 pulldown)
4K DCI to UHD convert On HDMI Loop out REC & Playout
4K UHD to HD down convert On HDMI Loop out REC & Playout
Audio in/out (48kHz PCM audio)  
HDMI 2 or 8ch 24-bit, camera dependent
Analog Audio in 2 x Channel via Optional XLR break out cable Line in / Mic in
Analog Audio out 2 x Channel via Optional XLR break out cable / Headphone out 2ch 48kHz 24-bit
Remote start/stop  
HDMI Auto HDMI Trigger
  Supported Protocols - Canon, Sony, Atomos Open Standard
  Atomos Open TriggerStandard supported by Panasonic, Ikegami, JVC, Samsung
Other LANC control - Slave
HDMI Embedded Timecode from Camera or video device
  Supported Protocols - Canon, Sony, Atomos Open Standard
  Atomos Open TriggerStandard supported by Panasonic, JVC, Samsung
Playlist Yes (custom selection, Favourites with subclip creation or Both)
Playback options Loop in & out markers
Pre Roll record Yes (HD 8s, 4K 2s frame rate dependant)
Custom time lapse Yes
  Keyframable up to 10 video and single frame Intervals, Can be triggered from internal clock.
Meta data tagging Yes (10 internal tags available)
  Favourite, Reject, Talent 1, Talent 2, Over Exposed, Colour Correct, Bad Audio, Cut Away, Close up, Wide Shot
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Master caddy dock 2.5 SATA to USB 2.0/3.0 (optional accessory)
  up to 450MB/s Read/Write
Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
  EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
XML support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
  • 1 x Atomos Ninja Inferno
  • 1 x EVA travel case
  • 1 x Master Caddy II
  • 1 x 12V-3A AC adapter