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Sony Alpha FX3 Full-frame Cinema Line Camera
Sony Alpha FX3 Full-frame Cinema Line CameraSony Alpha FX3 Full-frame Cinema Line CameraSony Alpha FX3 Full-frame Cinema Line CameraSony Alpha FX3 Full-frame Cinema Line Camera
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Sony Alpha FX3 Full-frame Cinema Line Camera
SKU: SONY-ILMEFX3.CE

£2,982.50 ex VAT
£3,579.00 inc VAT
https://www.productiongear.co.uk/sony-alpha-fx3-full-frame-cinema-line-camera.htmlSONY-ILMEFX3.CE2
GBP3579.00



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The Sony FX3 is the most compact Cinema Line camera. Especially designed for solo-shooting, this Sony film camera offers high sensitivity and full-frame cinematic expression. With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony.
 
It also includes a 5axis inbody stabilization with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions.
 
 
New Cinematic Freedom
Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.

Full-Frame Image capture Even in Dim Light
The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide Dynamic Range, Wider Creative Expression
The FX3 offers an exceptional 15+ stops of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

Stunning Bokeh and Full-Frame Creativity
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic Colour Science of S-Cinetone™
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading. 

4K 120fps with Every Frame in Focus
Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 

10-bit S-Log3 and HDR Recording for Smooth Gradations
S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 

16-bit RAW HDMI Output
For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.

Enjoy Rich Detail and Realistic Colour
The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.  

Dependable, Highly Accurate Autofocus
The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).

Sophisticated Tracking AF for Steady Focus
Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.

Smooth Transitions and Touch Focus Control
The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

High-Mobility Performance Wherever You Go
With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR Handle
A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

In-Camera Image Stabilisation
Active Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.

Image Stabilisation and Easier Editing with Catalyst
Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

Front and Rear Tally Lamps
Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-Angle LCD Touch-Panel Monitor
The 3.0-type (1.44 million-dot?) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

Essential Controls for Efficient Solo Shooting
In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p Recording
For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

XLR Adaptor and Digital Input for Quality Audio
In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.

Dual High-Speed Media Slots
Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Remote Camera Control and Network Transfer
A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.

Remote Preview, Shooting and Streaming
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

  • 4K full-frame back-illuminated CMOS Exmor R™ sensor , 15+ stop dynamic range, ISO expandable to 409600 for low light conditions
  • Cinematic Expressions with 16bit RAW, S-Log3 and S-Cinetone™, a highly regarded look profile inspired by VENICE colorimetry
  • Designed for professional workflow: 715g compact and light weight body suitable for solo-shooting and handheld mobility
  • Reliable in every shooting situation: Ragid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recording
  • S-Cinetone™ highly regarded look profile inspired by VENICE colorimetry
  • Compact and approx. 715g (body with card and battery) lightweight body suitable for solo-shooting
  • Real-time Eye AF ensures precise focus on the face and eyes
  • Easily create rack-focus transition, and five settings for AF Subject Shift Sensitivity
  • 4K QFHD high-frame-rate 120fps recording
  • XAVC-S 4:2:2 10-bit internal recording, 4K 16-bit RAW output full HDMI terminal
  • Multiple thread holes to attach accessories without case. XLR handle supplied.
  • S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility
  • Rigid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recording
GENERAL
Camera Type:Interchangeable lens digital camera
Lens Mount:E-mount
SIZE & WEIGHT
Dimensions (Body Only):129.7 mm x 77.8 mm x 84.5 mm / 5 1/8" x 3 1/8" x 3 3/8"
Weight (Body Only):715 g (1 lb 9.3 oz)
POWER
Power Consumption:

[Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

[Still image] Approx. 3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Battery Operating Time:

Approx. 95 min (Actual recording, CIPA standard)

Approx. 135 min (Continuous recording, CIPA standard)

Approx. 580 shots (still images, CIPA standard)

OPERATION
Operating Temperature:-20°C to +55°C, -4°F to +131°F
Storage Temperature:0°C to 40°C, 32°F to 104°F
RECORDING FORMAT (VIDEO)
XAVC HS:[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S:[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
XAVC S-I:[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
RECORDING FORMAT (AUDIO)
Recording Format (Audio):

LPCM 2ch (48kHz 16bit)

LPCM 2ch (48kHz 24bit)

LPCM 4ch (48kHz 24bit)

MPEG-4 AAC-LC 2ch

RECORDING FRAME RATE
XAVC HS:[XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S:

[XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p

[XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S-I:

[XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p

[XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

RECORDING / PLAYBACK TIME
XAVC HS:[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80GB) Approx. 160 minutes
XAVC S:[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80GB) Approx. 390 minutes
XAVC S-I:[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
Proxy Audio:XAVC Proxy: AAC-LC, 128kbps, 2 channels
Proxy Video:1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)
RAW OUTPUT
RAW Output:HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
Other Video Function:
Video Functions:Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
CAMERA SECTION
Sensor Type:35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Pixels:Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
Sensitivity:[Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)
Shutter Speed:Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb
SLOW & QUICK MOTION
XAVC HS:XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S:XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps 2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I:XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps 2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
WHITE BALANCE
White Balance Modes:Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
GAMMA
Gamma Curve:Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
LATITUDE
Latitude:15+ stop (S-Log3)
FOCUS SYSTEM
Type:Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point:[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Sensitivity Range:EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode:[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area:[Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Other Focus Features:[Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)
EXPOSURE CONTROL
Metering Sensitivity:EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes:[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M
RECORDING (STILL IMAGE)
Recording Format:JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size:Image size [3:2] 35mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L:5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S:1.1M Image size, [16:9] 35mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
PLAYBACK
Playback Functions:Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
INTERFACE
Audio Input:3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB:USB Type-C (x1, SuperSpeed USB 5Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Headphone Output:Yes (3.5 mm Stereo minijack)
Speaker Output:Built-in, monaural
HDMI Output:HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe:With Digital Audio Interface
Bluetooth:Bluetooth Standard Ver. 5.0 (2.4GHz band))
MEDIA
Media Type:CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
MONITORING
LCD:7.5cm (3.0-type) type, approx. 1.44M dots, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
BUILT-IN MICROPHONE
Built-In Microphone:Built-in, stereo
FILE SYSTEM
File System:FAT12, 16, 32, exFAT
ZOOM
Zoom Function:Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)
STILL IMAGE FUNCTION
Shutter:Mechanical shutter / Electronic shutter
Drive Modes:Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Continuous Shooting Speed:Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Noise Reduction:Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off
Flash Control:Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.
Other Still Image Function:Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot
IMAGE STABILIZATION
Type:Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Mode:[Movie] Active / Standard / Off, [Still image] On / Off
Compensation Effect (Still Images):5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
CUSTOM FUNCTION
Custom Function:Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
LENS COMPENSATION
Lens Compensation:Peripheral Shading, Chromatic Aberration, Distortion
WI-FI / NFC
Supported Format:IEEE 802.11a/b/g/n/ac
Frequency Band:2.4GHz band/5GHz band
Security:WEP/WPA-PSK/WPA2-PSK
NFC:NFC Forum Type 3 Tag compliant
FTP TRANSFER
FTP Transfer:Wired LAN (USB-LAN), USB Tethering, Wi-Fi
  • Rechargeable Battery NP-FZ100
  • Battery Charger BC-QZ1
  • Power cord
  • XLR handle unit
  • Accessory shoe kit
  • Body cap
  • Accessory shoe cap
  • Handle shoe cap
  • USB-A to USB-C cable (USB 3.2)

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