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Sony FX30 Cinema Camera
Sony FX30 Cinema CameraSony FX30 Cinema Camera
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Sony FX30 Cinema Camera
SKU: SONY-ILME-FX30B

£1,582.00 ex VAT
£1,898.40 inc VAT
https://www.productiongear.co.uk/sony-cinema-fx30-cinema-camera.htmlSONY-ILME-FX30B0.8
GBP1898.40



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Introducing the new FX30 Cinema Line camera, designed to bring the the vision of content creators to life. Leap into the world of filmmaking with the new ILME-FX30, descended from Sony’s highly acclaimed VENICE Cinema Camera. The ILME-FX30 provides smooth entry to the creative Cinema Line world. It includes the same coveted S-Cinetone™ look provided by high-end Cinema Line models, high dynamic range with S-Log3, Dual Base ISO, Cine EI mode, a top handle, threaded accessory attachment points, tally lamps and other workflow enhancing details that put it in the same category as other Cinema Line models in terms of operability, functionality, and design. It also features RAW output and time code synchronization functionality that makes it highly expandable. A comprehensive selection of E-mount lenses, high-performance audio solutions, and other essential components gives creators extraordinarily flexible systems for a broad range of creative needs.

Creators who start with the ILME-FX30 will easily advance through the Cinema Line as their skills grow, and the ILME-FX30 will continue to work effectively alongside high-end Cinema Line cameras in just about any production scenario.
 
 
STUNNING CINEMATIC IMAGE QUALITY
Offering advanced performance and functionality for a truly high quality cinematic expression. Sony's industry leading image sensor technology achieves high sensitivity, low noise and wide dynamic latitude, delivering 4K Super 35 resolution  for impressive image qualty. The ILME-FX30 includes S-Cinetone™ inhereted from digital cinema cameras such as Sony's VENICE 2, delivering natural mid-tones, plus soft colors and gorgeous highlights that are essential to cinematic expression. Three modes are provided for recording with the S-Log3 gamma curve providing smooth cinematic colour grading. Imported custom assignment LUTs can be recorded to minimize post-production color grading. Dual Base ISO (800 / 2500) allows for shoting top-quality images in different light situations.
 
ADVANCED AF PERFORMANCE
The ILME-FX30 offers a highly dependable and accurate autofocus performance with a wide-area tracking across the whole frame.  Maintaining focus on the subject is made easy with real-time eye AF that follows the face and eyes (human and animal). Focus is precisely and smoothly maintained over a wide area even when using a narrow depth of field or tracking fast-moving subjects with Sony's unique AI-based real time tracking. Stable AF and flexible focusing are available for a wide range of shooting situations.  AF Assist, Focus Map, and Breathing Compensation are great support functions.
 
COMPACT AND CAGE FREE DESIGN
The new ILME-FX30 comes in a compact and lightweight form designed for mobility and efficiency. The body features five thread holes for accessories, eliminating the need for a cage for optimum flexibility, stability, and comfort. The integrated stabilization keeps the whole setup very mobile, which can support challenging shooting situations without using a gimbal.
 
FLEXIBLE OPERABILITY FOR MOVIE PRODUCTION
Quickly access your favourite items with the new main menu. Focus on composition and framing with the optimised standby mode for movie recording.  Recording lamps and emphasized record displays allow for clear confirmation when recording is in progress. The Flexible high-resolution touch-panel LCD monitor enables broad positioning and framing freedom for gimbal-mounted shots. The zoom lever controls compatible powered zoom lenses and allows Clear Image Zoom to be used with unpowered zoom and prime lenses with great image quality. Auto & Manual modes for iris, shutter speed, and ISO to be set independently for a flexible exposure mode. Vertical aspect markers available to check framing in horizontal orientation.
 
HIGHLY EXPANDIBLE
The two XLR audio inputs enable high-quality audio recording. With an optional XLR microphone, digital audio data can be directly transferred to the camera for outstanding audio quality with a very clean audio signal. Other connectors include USB Type-C®, Multi/micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface. All this connectivity provides broad expandability for a wide range of shooting needs. The ILME-FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can be connected to a compatible device via USB to serve as a high-performance webcam.
 
THE BEST EXPERIENCE WITH SONY LENSES
A comprehensive selection of E-mount lenses gives creators extraordinarily flexibility for a broad range of creative intentions.   Incorporating Super 35 sensor and Sony’s E-mount lens to a remote camera provides a new world of impressive and cinematic expression like breathtaking sharpness and bokeh for contents creation.  Only native Sony lenses will give you 100% of the performance of the camera and will not limit your creativity. A stunning image quality can be realized with one shot, because the maximum support for stabilization and autofocus will be provided with a native Sony lens on a Sony camera.

  • 26.1MP APS-C BSI CMOS Sensor
  • UHD 4K up to 120p
  • Compact Form Designed for Cage-Free Use
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 14+ Stops DR
  • Phase Detection AF/Face Tracking/Eye AF
  • Standard ISO 100-32000 | Dual Base ISO
  • Dual CFexpress Type A/SDXC Card Slots
  • User LUTs & Timecode Sync Support
GENERAL
Camera Type:Interchangeable lens digital camera
Lens Mount:E-mount
SIZE & WEIGHT
Dimensions:129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)
Weight:

646 g (1 lb 6.8 oz) (with battery and memory card included)

562 g (1 lb 3.8 oz) (body only)

POWER
Power Consumption:

[Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)

[Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)

Battery Operating Time:

Approx. 115 min (Actual recording, CIPA standard)

Approx. 175 min (Continuous recording, CIPA standard)

Approx. 570 shots (still images, CIPA standard)

OPERATION
Operating Temperature:0°C to 40°C, 32°F to 104°F
Storage Temperature:-20°C to +55°C, -4°F to +131°F
RECORDING FORMAT (VIDEO)
XAVC HS:[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S:[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
XAVC S-I:[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
RECORDING FORMAT (AUDIO)
Recording Format (Audio):

LPCM 2ch (48kHz 16bit)

LPCM 2ch (48kHz 24bit)

LPCM 4ch (48kHz 24bit)

MPEG-4 AAC-LC 2ch

RECORDING FRAME RATE
XAVC HS:[XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S:[XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I:[XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p,
RECORDING / PLAYBACK TIME
XAVC HS:[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes
XAVC S:[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes
XAVC S-I:[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
Proxy Video:1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)
Proxy Audio:XAVC Proxy: AAC-LC, 128kbps, 2 channels
RAW OUTPUT
RAW Output:HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit
OTHER VIDEO FUNCTION
Video Functions:Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
CAMERA SECTION
Sensor Type:APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Pixels:Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)
Sensitivity:

[Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit)

[Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

Shutter Speed:Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)
SLOW & QUICK MOTION
XAVC HS:XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S:XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I:XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
WHITE BALANCE
White Balance Modes:Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
GAMMA
Gamma Curve:Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
LATITUDE
Latitude:14+ stop (S-Log3)
FOCUS SYSTEM
Type:Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point:

[Movie] 495 points (phase-detection AF)

[Still image] 759 points (phase-detection AF)

Sensitivity Range:EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode:[Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area:[Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Other Focus Features:Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)
EXPOSURE CONTROL
Metering Sensitivity:EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes:[Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)
RECORDING (STILL IMAGE)
Recording Format:JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size:Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M)
PLAYBACK
Playback Functions:Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
INTERFACE
TC Input / TC Output:Multi/Micro USB, TC IN
Audio Input:3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB:USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Headphone Output:Yes (3.5 mm Stereo minijack)
Speaker Output:Built-in, monaural
HDMI Output:HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe:With Digital Audio Interface
Bluetooth:Bluetooth Standard Ver. 5.0 (2.4GHz band)
MEDIA
Media Type:CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
MONITORING
LCD:7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
BUILT-IN MICROPHONE
Built-In Microphone:Built-in, stereo
FILE SYSTEM
File System:FAT12, 16, 32, exFAT
ZOOM
Zoom Function:Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x)
STILL IMAGE FUNCTION
Shutter:Electronic shutter
Drive Modes:Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket
Noise Reduction:High ISO NR: Normal / Low / Off
Other Still Image Function:Silent Shooting, Anti-flicker Shoot
IMAGE STABILIZATION
Type:Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Mode:[Movie] Active / Standard / Off, [Still image] On / Off
Compensation Effect (Still Images):5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)
CUSTOM FUNCTION
Custom Function:Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
LENS COMPENSATION
Lens Compensation:Peripheral Shading, Chromatic Aberration, Distortion
WI-FI / NFC
Supported Format:IEEE 802.11a/b/g/n/ac
Frequency Band:2.4 GHz band
Security:WEP/WPA-PSK/WPA2-PSK
FTP TRANSFER
FTP Transfer:Wired LAN (USB-LAN), USB Tethering, Wi-Fi
  • Sony FX30 Digital Cinema Camera
  • Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
  • Sony BC-QZ1 Battery Charger
  • Sony Multi Interface Shoe Cap
  • Sony ALC-B1EM Body Cap for E-Mount Cameras
  • USB Cable
  • Limited 1-Year Warranty

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